The Enlightened and the Protector
In Bhutanese art “remo” (drawing) is a fundamental practice where artists meticulously sketch the initial composition before applying paint. This method is deeply embedded in Bhutan’s sacred artistic traditions and has been integral to the creation of temple murals and thangka paintings for centuries. The detailed line work serves as a guide, ensuring accuracy and spiritual harmony in depictions of deities and celestial beings. This careful process maintains the beauty of Bhutanese art while preserving its deep religious and cultural meaning.
Lopen Tshewang Tenzin, the founder of Art United, brings renewed attention to this exquisite yet often-overlooked art form in his much anticipated debut solo exhibition. With masterful strokes on handmade Bhutanese paper from Daphne plant, the artist captures the essence of revered figures in Buddhist iconography such as Buddha Shakyamuni, Chana Dorji (Vajrapani), Tara in her various forms, and others. The interplay of bold, flowing lines and intricate detailing pays homage to the discipline and precision required in traditional Bhutanese art. By displaying these refined preliminary sketches, Lopen Tshewang invites viewers to witness the foundational artistry behind Bhutan’s sacred visual heritage.
TSHEWANG TENZIN
This review is brought to you by VAST Bhutan, a registered civil society organization. VAST Bhutan over 25 years of existence has helped nurture several young artists and supported their endeavors. For purchase of original Bhutanese contemporary artworks contact: Ms. Sonam Deki, mobile number: +975 77752813
